Musée des Beaux Arts

W.H.Auden, “Musée des Beaux Arts”

Auden wrote this short poem in 1938, after a visit to the Royal Museum of Fine Arts in Belgium, inspired by its collection of paintings by the “Old Masters” of the Netherlandish Renaissance. The three paintings referenced in the poem are shown above: The Census at Bethlehem, The Massacre of the Innocents, and The Fall of Icarus. All are by Pieter Breughel the Elder and all date to the 1560s.

W.H.Auden
“Musée des Beaux Arts”

About suffering they were never wrong,
The Old Masters: how well they understood
Its human position; how it takes place
While someone else is eating or opening a window or just walking dully along;
How, when the aged are reverently, passionately waiting
For the miraculous birth, there always must be
Children who did not specially want it to happen, skating
On a pond at the edge of the wood:
They never forgot
That even the dreadful martyrdom must run its course
Anyhow in a corner, some untidy spot
Where the dogs go on with their doggy life and the torturer’s horse
Scratches its innocent behind on a tree.

In Breughel’s Icarus, for instance: how everything turns away
Quite leisurely from the disaster; the ploughman may
Have heard the splash, the forsaken cry,
But for him it was not an important failure; the sun shone
As it had to on the white legs disappearing into the green
Water; and the expensive delicate ship that must have seen
Something amazing, a boy falling out of the sky,
Had somewhere to get to and sailed calmly on.

Citation:

  • Auden, W. H. “Musée des Beaux Arts.” The Norton Anthology of Poetry, Third Ed. Edited by Alexander W. Allison, et al. W.W. Norton, 1983.

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