Expressionism and Alienation
In Social Science you’ve learned about Emile Durkheim’s theory of anomie: a breakdown of social norms precipitated by the shift from small rural communities to large-scale urban life. In the first half of the twentieth century, many writers and visual artists gave voice to a sense of alienation, none more famously than Edward Munch in The Scream (1910).
Both Eliot’s Waste Land and Chaplin’s Modern Times channel the theme of alienation. For class today we examine artists who raised this anxiety to a fever pitch: the Expressionists.





